The exhibition ‘Painting’ will gather some forty new works by Fabienne Verdier -ink on canvas and pastels with oil- based on three themes, Line space-time, Arborescence and Glow (homage to the Flemish masters).
Known for her ten-year apprenticeship in China with well-known masters of calligraphy, recounted in “Passagère du Silence”, Fabienne Verdier has since then entered a large number of major international art collections.
Her painting is eminently personal, internal and spiritual. It is the result of an immense creative freedom and the fruit of a long preparatory asceticism. Her ancestral technique acts as both bedrock and springboard for the emergence of a succession of inspired fluxes, which now guide us toward a reflection on the metastructures of life.
Fabienne Verdier’s painting is continuous with the experiments of the American abstract artists – Tobey, Kline, Still, Pollock or De Kooning- and carries on the work of artists who have explored the line, such as Matisse, Michaux or Degottex…
Each of the canvases is imbued with a subtle balance from which emanates a constancy: the quest for the simple. Nothing is surplus to requirement. Fabienne Verdier’s great frescoes take us deep into the alchemy of painting and her multiple forms in permanent movement make us live a metaphysical experience.
Standing at the heart of the canvas, the act of painting imbues the ink with an interiority of vision suggesting the Essence of the real. The connection between the line drawn on the paper and the line on the ink sliding across the canvas is, in this respect, masterful. Through the living spontaneity of these works, Fabienne Verdier unifies tradition and modernity and allows us to experience a moment of eternity in the midst of Breath.
The Jaeger Bucher gallery has entrusted Communic’Art with the media campaign of the exhibition ‘Painting’ by Fabienne Verdier.
Galerie Jaeger Bucher – 5&7 rue de Saintonge – 75003 Paris – Tel : +331 42 72 60 42 – www.galeriejaegerbucher.com
Il propose dans ses dessins scripturés de vivre le rythme du monde en captant et en prolongeant l’intensité insaisissable de l’instant, en convoquant le hasard et en le provoquant, opposant ainsi un ralentissement délibéré à la vitesse vertigineuse de notre monde médiatique. Les formes géométriques ou encore l’entrelacs des lignes, accentués par les pliages du papier, créent une écriture énergique propre à Schimansky.
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Once again, SHOW OFF will be located at the Port of Champs Elysées at the foot of the Grand Palais and the FIAC. The only art fair offshoot of the FIAC, SHOW OFF is not to be missed.
Roger-Viollet, created in 1938, is engaged since 1998 in a program of digitization of their photo collections (350 000 images have been digitized so far).
In this exhibition, Hanns Schimansky is showing 40 drawings made between 2007 and 2010. These drawings, written as much as drawn, attempt to capture and to prolong the present moment, to mirror the rhythm of the universe. Using and provoking the idea of chance, he metaphorically slows the headlong speed at which we live in today’s world, dominated as it is by the media. Geometric shapes and intercrossing, looping lines, accentuated by the folds in the paper he uses, form Schimansky’s unmistakeable energetic graphic style: cities and landscapes appear, through which we are invited to travel.
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