One says a work of Meynard is distinguished by two signs: there is always, in appearance or transparency, a human figure, and the complexity is without limit and without smudging. For over three years, Jean Claude Maynard has been working on the human figure to achieve an icon of complexity: Babel.
Men conceived Babel as an limitless brick architecture to reach the sky. God, to thwart their plan, had created discord by inventing languages. Jean Claude Meynard diverts the myth and does of Babel a limitless architecture of men, inventing the signs of the same writing.
First declined in high glass slides and exhibited at the Venice Biennale in 2007, Babel has taken the mythic shape of a human-sized tower for a year (1m80 high).
The work, the result of a repeated matrix of human silhouettes, is broken down into three different transparencies that create the appearance of a latticework.
As often with Jean-Claude Meynard, the whole gallery becomes the work, a fractal cube where visitors immerse themselves.
The Babel is made for travel: it is an architecture of reconciliation.
After China (Shenzhen) and Italy (Sermione) in 2008, the work is to istallée Riff Art Projects gallery in Paris from November 26 to January 30, 2010, and Turkey (Istanbul) in December and again in France in September 2010 at Villa Tamaris (Var).
Riff Art Projects – 48, rue Chapon 75008 Paris – Tel : +336 30 52 27 19 – www.galerieriffartprojects.com















Encore une semaine pour aller voir les sculptures en équilibre de l’artiste américain Paul Wallach ! Le finissage aura lieu le samedi 13 mars avec une lecture par Nicolas Pesquès et une signature de deux ouvrages autour du travail de l’artiste.
Du 20 mars au 22 mai 2010 la galerie présente Inner Monsoon, la première exposition en France de l’artiste portugais Rui Moreira.
Du 29 mai au 17 juillet 2010, l’artiste allemand Hanns Schimansky propose dans ces “dessins scripturés” de vivre le rytme du monde en captant et en prolongeant l’intensité insaisissable de l’instant, en convoquant le hasard et en le provoquant, opposant ainsi un ralentissement à la vitesse vertigineuse de notre monde médiatique.



